101 Detectives

A private-eye convention and a tussle over a Pierneef. A young man’s unsettling experience in the American South and a tragedy off the coast of Mauritius. A bizarre night of industrial theatre and a translator at a loss for words.
      These are but a few of the fictions in 101 Detectives, a new collection of short stories by Ivan Vladislavić, one of South Africa's most celebrated authors.
      A collection of short stories launched his career as a writer. Twenty-six years and a whole oeuvre later, 101 Detectives showcases Vladislavić’s virtuosity as he bends and recasts this literary form in spectacular fashion

101DetectivesUmuzi

101 Detectives
Umuzi, 2015
ISBN 978-1-4152-0690-4

More at www.randomstruik.co.za

 

 

 

 

101DetectivesAOS

101 Detectives
And Other Stories, 2015
ISBN 978-1-908276-56-8

More at www.andotherstories.org


 

 

 


EXTRACT
He knew there were tricks – no – not tricks, techniques, there are techniques for getting to see what you’re not supposed to. Let’s say the register at reception in the hotel lobby. You drop the pen or you fake a cough and ask for a glass of water, and while the clerk is distracted you quickly turn the book your way and scan the page for what you’re after. Let’s say the room number of a particular person. Or let’s say the name of a particular person occupying a certain room the number of which is no mystery. He knew all that.
      But as it happened, the counter was a slab of granite and there was no book to mar its smooth extension, not even a computer screen, which complicated things. Also there was nothing he needed to know. For now. He was simply waiting for the receptionist to give him his key and number so that he could go up to his room. This lack of knowing, or rather this lack of a need to know, made him feel less like a Detective. And the feeling rankled because he was unsure what kind of Detective he really was to begin with.
      While he was examining this lack, trying to locate it precisely in his body, the receptionist handed him his key. She pointed out the Breakfast Room to the left and mentioned the hours. Then she pointed out the Assembly Room through an archway to the right, and beyond that the lift. She also offered to call a porter but he said no, he could manage, he was travelling light, just the one suitcase with wheels. He was the kind of Detective who did not like to be followed to his room. That was one thing he was sure of.
      When he passed the Assembly Room on his way to the lift he saw a noticeboard on an easel, an oblong of black plastic to which white plastic letters could be attached. Welcome! the board said. 101 Detectives: Sub-Saharan Africa. Meet and Greet 6 p.m. Private (eye) function :). He glanced at his watch and saw that it was 3 p.m. and this pleased him, because it gave him enough time to settle in and take a shower and maybe nap and then think for a while about what kind of Detective he was or wanted to be.


 

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Other Writing

  • 101 Detectives in The Offing

    The title story of Vladislavic's latest collection has appeared in The Offing, an online channel of the Los Angeles Review of Books.

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  • 'Exit Strategy' in Granta

    This story is drawn from Ivan Vladislavic's new collection 101 Detectives, due to be published by Umuzi in May and by And Other Stories in June. 

    Follow this link to read the full story

  • S.J. Naude and Ivan Vladislavic in conversation, Granta

    S.J. Naude and Ivan Vladislavic exchange ideas about writing. Naude's The Alphabet of Birds will be published by And Other Stories in January.

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    My friend Chris died on 3 October. He wrote two wonderful memoirs, Shirley, Goodness and Mercy, and Eggs to Lay, Chickens to Hatch, and that's where you can get to know him. My tribute to Chris is on Books LIVE.

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  • ‘Tango’ in McSweeney’s 42, 2012

    With the help of guest editor Adam Thirlwell (author of Kapow!, Visual Editions), Issue 42 is a monumental experiment in translated literature—twelve stories taken through six translators apiece, weaving into English and then back out again, gaining new twists and textures each time, just as you'd expect a Kierkegaard story brought into English by Clancy Martin and then sent into Dutch by Cees Nooteboom before being made into English again by J.M. Coetzee to do. With original texts by Kafka and Kharms and Kenji Miyazawa, and translations by Lydia Davis and David Mitchell and Zadie Smith (along with others by John Banville and Tom McCarthy and Javier Marías, and even more by Shteyngart and Eugenides and A.S. Byatt), this will be an issue unlike anything you've seen before...

     

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